Bob Wood's Music At First Sight

Why Bales of Hay?


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YOUR PART begins where you are now. Each piece gets better as you progress in your playing. It grows because you invest your own ingenuity and make real decisions about what you are going to play. You have an opportunity to express your own interpretations, learn and grow in each step of the process.

NEW! Mozart Chamber Music,
Quartet K. 156, for Cello
Sound Files for Each of Your Parts
Windows Version  
Mac Version  

What is Music At First Sight?

How did it get started?

What You Get | Take a Tour

Infrequently Asked Questions

Music At First Sight is for adults or teens who love music and who want to play but are frustrated by the childish little pieces that are most often part of the curriculum for novices. more...

Each composition contains a series of graded parts you can edit and revise. For each composition you purchase, you get a series of parts for your instrument that you can use to play along with that composition. In our Music Library, you'll find Bob's arrangements and free sheet music samples for:

Cello
Clarinet
Double Bass
Flute
Guitar
Soprano Recorder
Viola
Violin

Parts are of increasing technical difficulty, so that even a beginner can participate in great music. more...

Don't get stuck along with the 90% of people who drop their musical instrument study and never become classical musically literate audience members.... read more in: Infrequently Asked Questions

Singing with Earphones

Throughout my classroom teaching career, every class I taught did a lot of singing — and by taping my own accompaniments which students heard on earphones while singing, I heard THEIR voices, not my own piano playing, AND they were effectively isolated from the sounds of the student next to them.

Focus on the screen image kept heads up and posture better for breathing, got rid of books and pages and gave me instant "flash card" control for memorizing. Covering the projector image, I had them sing over a verse from memory. They learned the trick very fast.

Completely exposed and extremely vulnerable to a delicate suggestion made quietly and individually, they never suffered open criticism of their voices; they were free to try their best without fear of peer ridicule.

We were always thrilled by the warmth, tone and power of their assembly singing as the whole school became, for a moment, a family. These are the core ideas of my lifetime of teaching music, and I share them with you now through the Internet. ~Bob Wood


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